Hiya! It’s been a while so I’m starting with an easy tutorial to get me back into the flow of things.
Now for the last few years you’ve been able to buy nebula leggings, backpacks, heck I even sell T-shirts myself but I’m a fancy guy and I wanted to make something which suited me (har har) better.
So last summer I decided to paint a Space Suit.
I wanted something to go with Christian’s Dr Who coat, but I don’t look like anything from Dr Who, so after several jokes about my ego and cosplaying ‘All of Space and Time’ I bought a £10 suit from ebay that had a bleach stain on it, took the trousers in to actually fit and then began the painting process.
This method can make basically ANY FABRIC into a nebula pattern.
I know, I’m excited too.
Firstly I used some half water, half bleach solution to make the suit as light as possible in splotches. I then rinsed the entire thing in water and hung it up to dry to get all of the itchy bleachness out. This step only works if your garment has some natural fibres in it. Try to pick something light to start to get the most vivid results.
These are the magical tools I used to make it happen. The most important thing was Acrylic Inks- these are much more flexible than standard acrylic, they’re water tight and permanent. I also have a spray bottle, some regular white acrylic paint, some brushes and a tooth brush. No fancy tools needed here, oh no.
Then I painted some black down in the shadows of the nebula clouds- it helps to have reference photos of space near you to get some shape ideas!
Here you can see the back taking form.
With the trousers I made sure the crotch didn’t have a weird stain/anything that might make me look like I’d actually peed myself.
I mixed up a spray bottle with 1/3 paint to water for each colour and had fun spritzing it on, but slowly over time I just switched to a paintbrush and occasionally smearing it with my (latex glove covered) hands.
It’s important to stop periodically and let the suit dry out. Wet paint always looks much darker so you don’t get a real feel for the colours unless you let it dry out and come back a few hours later.
I got tired of the yellows and almost completely covered them with pink instead. Here you can see that I’m darkening the blacks and using white dry brushed on there to increase the contrast in the suit. My art teacher would be so proud.
The nebula on the back starts to take form! To give you a time scale I spent about 1 hour a day over a course of a week painting this thing.
At some point I got tired of the floor and put my kitchen table back.
See how the colour palette has changed to pretty much exclusively pink and blue? It would be possible to do a yellow or red but much harder on fabric that started out grey.
Time to add stars! I found the easiest way was to mix up a batch of white regular acrylic to ketchup consistency, smear that on a small piece of card and then use the toothbrush to flick it down over the suit. Very satisfying.
The back is my favourite bit.
And some finished trousers!
The final suit was a bit stiff so I then soaked it overnight in some water with a splash of fabric softner inside.
This is a great costume because I can put anything in the top pocket and cosplay several fandoms close to my heart.
Or even wear a TARDIS pin and match Christian’s Dr Who Coat.
This suit has given me a good year worth of wear with no signs of stopping. To clean I febreeze the jacket and hand wash the trousers in warm soapy water then hang to dry. Good luck making your own universes!
1) Bleach it
2) Use watered down acrylic inks to paint it, starting with the lightest colour first
3) KEEP PAINTING for many days, letting it dry out each time and increasing the contrast between the colours
4) Add highlights and stars with regular white acrylic paint and a toothbrush. Don’t use too much or it will make the fabric too stiff.
5) Soak the finished suit in fabric softener and hang to dry.
6) Wear your space suit and become a walking pun
Onward to inserting the lining!
THIS IS MY GREATEST DISCOVERY SINCE FREEZER PAPER.
I found this while (being the exciting person I am) I was watching brother foot attachment videos. You don’t need to buy anything new to do this, just watch this video for more details
Next step is sewing the lapels in and trying to get a beautiful crisp edge.
I’ve always wanted to do the fancy tailoring thing where you use a pick stitch to roll the lapel and get a smooth curve- well here it is!
A bit of research later and turns out the back thingy on coats is called a tab- yet another thing to add to my name sake!
Now it’s time to make the pocket lining- an an opportunity to make some huge, decent sized pockets that you can actually fit useful things inside. A pet peeve of mine is fake pockets, or even worse pockets so tiny that you can’t even fit a standard phone inside.
So, time to make those pretty pocket pieces!
I cut some dark felt out to help line the spoon flower fabric and give it more weight.
Now the secret of this task- invisible hem tape! I used it to iron the check, felt and lining layers all together in a sandwich of power.
The mock up came back from the customer- we had some issues on the arm placement and the back needed to come in a bit so I made some adjustments then started scribbling! Labelling is super important for this project or you’ll just get lost in a sea of slightly triangular pattern pieces.
Now onto the pattern! Some of these fabrics are really expensive so I needed to make sure the coat fit properly. This is the epic tale of scaling the pattern up to the commissioners size and constructing it in linen. I chose linen because I’d be using that as the support lining for the flimsier bits of fabric and would give me a good idea of fit and a great surface to write on!
I started with a burda 2471 and massacred it. I bought a bunch of these a few years back for a set of Full Metal Alchemist uniforms I made so I happen to have one cut to most men’s sizes. Here I’m working with a 38″ chest and someone about 5’8″.
I joined the seams up to create a back panel, moving the shoulder seam to a more normal place. To be honest it would have been easier to start from scratch but WHATEVER, let me have my weird ways.
I then split the back panel and removed a slither at the waist. I think it’s important that a man’s coat is tailored to show off his… assets.
The magical world of pinning a concave curve to a convex one. The key seems to be to have the convex curved piece on the bottom and pin
the concave (one that curves in) on top, using many, many pins to gather it.
Ironing this is extremely satisfying. You can clip the seam to reduce the bulk but I think that weakens the seam and I didn’t want to risk fraying here.
This back is a tailors dream, seriously.
I still make costumes, I promise! Things have been busy what with house viewings and packing, but I’ve still been making things behind the scenes.
This project is the last commission I took on before closing down ready for moving. But why a Tale of Two Doctors? Well that’s because my dearest chum Christian is a massive Dr Who fan, and has always wanted a 6th Doctor Coat. So while I make a coat for this commissioner, Christian will be making his own coat, using slightly simpler techniques.
We’re going to call them the Master and Apprentice coat, with tutorials for both. But first, the most important part of costume making- the research and fabric finding!
Here’s a round up of all the How to build a Loki tutorials:
Go forth and make!
And now for the final and most important step- adding a damn pocket! This costume has to be worn by a real human person with human needs so a little trademark of mine is to always add at least one pocket that can fit a phone and some money.
This is a hand sewing technique that you can use to add a welted pocket inside any garment- it’s easier if you do it before the coat is constructed, but welp I forgot so here you go.
First I grab a rectangle of stiff fabric and back stitch a slim rectangle in the middle. This will become the pocket opening so make sure it’s big enough! When that’s done you cut a slit down the middle and poke the rectangle inwards through the hole, making a slit for you to apply the pocket to.
Sewing in the pocket lining!
Finishing off the other side. I’m using something called ladder stitch here which is basically an invisible running stitch. I occasionally chuck in a back stitch here and there to keep it secure.
HOT DAMN WHAT A FINE POCKET.
Then the whole lot gets packed up and sent to the lovely person who commissioned me. Now onto the next one!
Had an awesome time in Norway at BANZAICON! (despite missing our flight and having to take an emergency ferry!) Over there I did a panel on how I built the loki costume which reminded me to get finishing on this tutorial!
Sometimes the hardest part of making armour is figuring out how to attach it to yourself. Here’s what I did with mine:
Here’s how the coat came together step by step:
Long post is long- Here’s the breakdown of how I made the tunic for Loki.
It’s busy busy busy at Haus Khaos as I’m working on costumes for an upcoming production of Pirates of Penzance- in the meantime here’s an amazing tutorial for a georgian wig that I could have used last year:
Phew! I Hope everyone has had a wonderful holidays- I’ve had a couple of requests for continuing the loki tutorials so here we go!
Here’s the template for the shoulder plate if you want to play along- If you do end up using my template then I’d appreciate a link back to me and I’d love to see what you make!
Okay, so as part of the plugsuit I needed a nice glowy orb to go on the chest. You could just do this with a red christmas bauble, but here’s the technique for casting in resin and adding a LED.
Lyrcra armour is very simple, all you need is lycra, scissors, some glue and a breather so the glue doesn’t kill you.
Poll results are in! Time to make some plug suit : D
Here are the previous tutorials in this series
|How to make a plug suit part 3- F**king shoes|
|How to make a Plugsuit Side tutorial- Skin tight gloves|
|How to make a plug suit Part 2- Armour/Plugs|
|How to make a Plug Suit Part 1- Mock Up|
Here’s how I made these beautiful skin tight legs.
Sexy shoe time!
And now the most complex part of the costume broken down- the COAT.
Here’s the story of how I finally arrived at this wig- I think every project has a moment where everything goes wrong and you have to go cry in a corner for a little while. This wig was mine.